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Historique de Main.KingLear

Montrer les modifications mineures - Affichage de la sortie

02 avril 2007 à 19h49 par 69.157.177.184 -
Lignes 250-251 modifiées:
!!PLOTS & COLOURING
en:
!!PLOTS
Lignes 310-311 modifiées:
KENT: DISGUISED as CAIUS (530,2056)
en:
!!!!DISGUISES :

KENT as Caius (530,2056). Conscious


EDGAR as Poor Tom et& (1818, 3130)


DISGUISED as POOR TOM (1818,2481)

then

DISGUISED as A FRIEND (2486,2686) (2704,2742) (2920,2936)

then

DISGUISED as WEST COUNTRY YOKEL (2687,2703)

then

DISGUISED as “man so poore” (2880,2894)
Lignes 334-364 modifiées:
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EDGAR:

\\

DISGUISED as POOR TOM (1818,2481)

then

DISGUISED as A FRIEND (2486,2686) (2704,2742) (2920,2936)

then

DISGUISED as WEST COUNTRY YOKEL (2687,2703)

then

DISGUISED as “man so poore” (2880,2894)

then

DISGUISED as Champion (3067,3130)

\\

\\

And GLOUSTER’S LEAP over the Cliffs of Dover (4.5) is certainly worth framing as some form of play-within-the-play: (2430,2525).

\\
en:

!!!!PLAY-IN-PLAY :

•(2430,2525)

Type : Gulling (green)

Title : Th’extreme Verge
20 décembre 2004 à 09h04 par 65.92.18.94 -
Ligne 120 modifiée:
DISGUISED as CAIUS (530,3302)
en:
DISGUISED as CAIUS (530,2056)
Ligne 310 modifiée:
KENT: DISGUISED as CAIUS (530,3302)
en:
KENT: DISGUISED as CAIUS (530,2056)
25 juillet 2004 à 20h16 par 69.157.191.145 -
Ligne 117 modifiée:
KENT
en:
Earl of KENT
Ligne 124 modifiée:
GLOSTER
en:
Earl of GLOSTER
Ligne 142 modifiée:
CORNWALL
en:
Duke of CORNWALL (husband of Regan)
Ligne 148 modifiée:
ALBANY
en:
Duke of ALBANY (husband of Goneril)
Ligne 154 modifiée:
GONERIL
en:
GONERIL (daughter of Lear)
Ligne 160 modifiée:
REGAN
en:
REGAN (daughter of Lear)
Ligne 166 modifiée:
CORDELIA
en:
CORDELIA (youngest daughter of Lear)
Ligne 172 modifiée:
France
en:
King of France
Ligne 178 modifiée:
Burgundy
en:
Duke of Burgundy
Ligne 184 modifiée:
EDGAR
en:
EDGAR (son of Gloster)
Ligne 211 modifiée:
A Gentleman
en:
A Gentleman (of Lear's Court)
25 juillet 2004 à 20h10 par 69.157.191.145 -
Ligne 7 modifiée:
F contains so many substantive variants that the play appears to have undergone a considerable re-write in the interim between the publication of Q1 & 2 in 1608 and the 1623 publication of the F. So much so, that the Oxford editors — instead of conflating their text of LEAR — rather chose to provide both THE HISTORY OF KING LEAR (ca. 1605) and THE TRAGEDIE of KING LEAR (ca. 1610) in their 1987 edition of THE WORKS.
en:
F contains so many substantive variants that the play appears to have undergone a considerable re-write in the interim between the publication of Q1 & 2 in 1608 and the 1623 publication of F. So much so, that the Oxford editors — instead of conflating their text of LEAR — rather chose to provide both THE HISTORY OF KING LEAR (ca. 1605) and THE TRAGEDIE of KING LEAR (ca. 1610) in their 1987 edition of THE WORKS.
25 juillet 2004 à 20h09 par 69.157.191.145 -
Ligne 1 modifiée:
p-?½?GEDIE OF KING LEAR (2nd version ca. 1610)
en:
!THE TRAGEDIE OF KING LEAR (2nd version ca. 1610)
25 juillet 2004 à 20h08 par 69.157.191.145 -
Ligne 1 modifiée:
!THE TRAGEDIE OF KING LEAR (2nd version ca. 1610)
en:
p-?½?GEDIE OF KING LEAR (2nd version ca. 1610)
Lignes 314-315 ajoutées:
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Lignes 340-341 ajoutées:
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25 juillet 2004 à 20h05 par 69.157.191.145 -
Ligne 0 supprimée:
Ligne 5 modifiée:
\\
en:
\\
25 juillet 2004 à 20h05 par 69.157.191.145 -
Lignes 1-342 modifiées:
Describe KingLear here.
en:

!THE TRAGEDIE OF KING LEAR (2nd version ca. 1610)

The Folio’s text of KING LEAR appears to have been set from, both, a marked-up copy of Q2 THE HISTORY OF KING LEAR and another MANUSCRIPT altogether (possibly a promptbook).

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F contains so many substantive variants that the play appears to have undergone a considerable re-write in the interim between the publication of Q1 & 2 in 1608 and the 1623 publication of the F. So much so, that the Oxford editors — instead of conflating their text of LEAR — rather chose to provide both THE HISTORY OF KING LEAR (ca. 1605) and THE TRAGEDIE of KING LEAR (ca. 1610) in their 1987 edition of THE WORKS.

\\

_______________


!!X AXIS (abscisses): 3820 lines

Subdivisions of ACTS & SCENES are according to the FOLIO.

\\

1.1: line 1 (reads "Act 1 scene 1 begins at line 1")

1.2: line 333

1.3: line 505

1.4: line 529

1.5: line 873

\\

2.1: line 926

2.2: line 1074

\\

3.1: line 1614

3.2: line 1654

3.3: line 1751

3.4: line 1776

3.5: line 1969

3.6: line 1996

3.7: line 2057

\\

4.1: line 2177

4.2: line 2266

4.3: line 2348

4.4: line 2382

4.5: line 2429

4.6: line 2743

\\

5.1: line 2844

5.2: line 2917

5.3: line 2937

\\

_______________


!!Y AXIS: ENTRANCES & EXITS

Entrances & exits of Characters

According to their order of appearance.

\\

• (2,81) reads "enters at line 2, exits at line 81".

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• DISGUISED as CAIUS (530,3302)”)

is inserted at the end of a character’s list (in this case Kent’s) to indicate “duration” of said disguise.

\\

• (3216 [rip 3283] 3302)

reads “enters at line 3216, dies on line 3283, corpse exits on line 3302”.
RIP at the end a character’s list indicates (or confirms) his/her decease.

\\

• (corpse 3184,3302)

indicates that a character’s corpse (i.e. Regan’s) is “carried on”;

\\

• PRINCIPAL CHARACTERS are capitalized.


\\

\\

KENT

(2,201) (530,803) (874,881) (1075,1586) (1615,1653) (1687,1733) (1777,1968) (1997,2056) (2744,2843) (3182,3302) /
DISGUISED as CAIUS (530,3302)

\\

GLOSTER

(2,40) (202,291) (357,446) (970,1073) (1117,1236) (1358,1396) (1403,1586) (1596,1613) (1752,1770) (1890,1968) (1997,2000) (2039,2056) (2088,2171) (2188,2265) (2430,2742) (2920,2936) RIP

\\

EDMUND (Bastard son of Glouster)

(2,504) (927,1073) (1117,1227) (1752,1775) (1970,1995) (2893,2894) (2058,2081) (2267,2293) (2845,2879) (2896,2916) (2938,3215) RIP

\\

LEAR

(37,291) (538,803) (809,829) (874,925) (1273,1332) (1358,1596) (1655,1733) (1777,1968) (2003,2056) (2526,2645) (2771,2843) (2918,2919) (2938,2968) (3216 [rip 3283] 3302) RIP

\\

CORNWALL

(37,291) (1024,1073) (1117,1227) (1403,1613) (1970,1995) (2058,2176) RIP

\\

ALBANY

(37,291) (768,872) (2299,2347) (2864,2901) (2983,3302)

\\

GONERIL

(37,332) (506,528) (702,872) (1476,1613) (2058,2081) (2267,2334) (2864,2879) (2983,3117) (rip 3184,3302) RIP

\\

REGAN

(37,332) (1024,1073) (1117,1227) (1403,1613) (2058,2076) (2383,2428) (2845,2879) (2983,3056) (rip 3184,3302) RIP

\\

CORDELIA

(38,309) (2349,2381) (2744,2843) (2919,2919) (2939,2968) (rip 3216,3302) RIP

\\

France

(202,309)

\\

Burgundy

(202,291)

\\

EDGAR

(462,497) (948,965) (1251,1272) (1818,1968) (2003,2056) (2178,2265) (2430,2742) (2880,2894) (2920,2925) (2927,2936) (3067,3302) /
DISGUISED as POOR TOM (1818,2481)

DISGUISED as A FRIEND (2486,2686) (2704,2742) (2920,2936)

DISGUISED as WEST COUNTRY YOKEL (2687,2703)

DISGUISED as “man so poore” (2880,2894)

DISGUISED as Champion (3067,3130)

\\

OSWALD (Steward of Goneril)

(506,528) (575,576) (608,621) (856,864) (1075,1227) (1468,1613) (2072,2081) (2267,2298) (2383,2428) (2675 [rip 2703] 2742) RIP

\\

FOOL

(624,841) (874,925) (1273,1586) (1655,1750) (1777,1807) (1818,1968) (2003,2056)

\\

A Gentleman

(874,925) (1273,1586) (1615,1653) (2349,2381) (2630,2661) (2744,2843) (3170,3302)

\\

Curan

(927,942)

\\

Old man

(2188,2239)

\\

Captain

(2939,2982)

\\

Herald

(3050,3302)

\\

Messengers

(2312,2347) (2372,2381) (3264,3302)

\\

___________


!!PLOTS & COLOURING

KING LEAR has two intermixed plots. The first is that of LEAR himself, which involves:

\\

KENT

LEAR

ALBANY

CORNWALL

GONERIL

REGAN

CORDELIA

OSWALD

FOOL

A GENTLEMAN

\\

The second plot concerns GLOUSTER, it involves:

\\

GLOSTER

EDMUND

EDGAR

CURAN

OLD MAN

\\

___________


!!ACTION SEQUENCES

Act 5 Scene 2 is the final battle: (2917 to 2925).

\\
___________

!!METATHEATRE

As indicated in the ENTRANCES & EXITS above two characters are DISGUISED

\\

KENT: DISGUISED as CAIUS (530,3302)

\\

EDGAR:

\\

DISGUISED as POOR TOM (1818,2481)

then

DISGUISED as A FRIEND (2486,2686) (2704,2742) (2920,2936)

then

DISGUISED as WEST COUNTRY YOKEL (2687,2703)

then

DISGUISED as “man so poore” (2880,2894)

then

DISGUISED as Champion (3067,3130)

\\

And GLOUSTER’S LEAP over the Cliffs of Dover (4.5) is certainly worth framing as some form of play-within-the-play: (2430,2525).

\\
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