tested the proof of concept!

\\

!!AnimatingBill — a proof of concept!

AnimatingBill — a proof of concept!

!NEW FINAL CORRECTIONS:
!Plays-within-the-plays & Disguises


!!!!We distinguish five types of play-within-the-play:

Inset-play (yellow) — which is the "by default" type

Scene-extempore (blue)

Maske or Maskers (red)

Gulling (green)

Dream or Vision (orange)

!!!!And two types of disguise:

Conscious (yellow) — which is the "by default" type

Un-conscious (blue)


\\

!!THE COMEDIES


\\

!!TEMPEST (1611)

!!!!DISGUISE:

ARIEL (1583,1616) as Harpy, Conscious


\\

!!!!PLAY-IN-PLAY:

•(1707,1806)

Type: Maske (red)

Title: Maske of Juno


\\


!!THE TWO GENTLEMEN OF VERONA (circa 1590-4)

!!!!DISGUISE:

JULIA (1649,2225) as Sebastian, Conscious


\\


!!THE MERRY WIVES OF WINDSOR (1597-8)

!!!!DISGUISES are Conscious (yellow)

FALSTAFF as “Aunt of Brainford” (2064,2069), Conscious

EVANS as Satyr (2518,2588), Conscious

PISTOL as Goblin (2518,2588), Conscious

ANNE PAGE as Fairy (2518,2584), Conscious

MISTRESS QUICKLY as Queen of Fairies (2518,2588), Conscious

“Boyes” as Fairies (2518, 2588), Conscious

FORD as “Broome” (914,1064) (1730,1820) (2409,2429), Conscious

NOTE that Ford is DISGUISED (as Broome) until 2429 (not 2729)


!!!!PLAY-IN-PLAY

•(2518,2588)

Type: Gulling (green)

Title: Herne The Hunter


\\


!!MEASURE FOR MEASURE (1603)

!!!!DISGUISE:

DUKE as “Friar Ludowick” (952,2270) (2656,2737), Conscious


\\


!!THE COMEDY OF ERRORS (1594)

!!!!CORRECTION 1:

This is going to be somewhat complex, alas. My use of brackets [] to indicate characters speaking from off-stage in act 3 is problematic. May we then re-integrate the following Entrances & Exits, please?

S.DROMIO: is ON for (652,740)

same goes for ADRIANA (706,712)

and LUCIANA (679,712)


!!!!DISGUISES:

S.ANTIPHOLUS disguised (206,260) (504,615) (786,860) (1227,1263) (1476,1503), Un-conscious

S.DROMIO disguised (504,615) (679,712) (1073,1097) (1135,1182) (1227,1263) (1476,1503), Un-conscious

E.ANTIPHOLUS disguised (579,712) (1073,1097), Un-conscious

E. DROMIO disguised (206,260) (679,712), Un-conscious


\\


!!MUCH ADOE ABOUT NOTHING (1598)

!!!!A Correction: Balthazar's 3rd entry should read (868,924)

\\

!!!!PLAYS-IN-PLAY:

•(489,780)

Type: Maske (Red)

Title: Maskers with a Drum


•(868,1043)

Type: Gulling (green)

Title: Gulling Benedick


•(1088,1197)

Type: Gulling (green)

Title: Gulling Beatrice


\\


!!LOVES LABOURS LOST (1594-5)

!!!!DISGUISES

FERDINAND as Muscovite (2052,2182), Conscious

BEROWNE as Muscovite (2052,2182), Conscious

LONGAVILLE as Muscovite (2052,2182), Conscious

DUMAINE as Muscovite (2052,2182), Conscious

PRINCESS as Rosaline (2050,2182), Conscious

MARIA as Katherine (2050,2182), Conscious

KATHERINE as Maria (2050,2182), Conscious

ROSALINE as Princess (2050,2182), Conscious

COSTARD as Pompey (2490,2683), Conscious

Don ARMADO as Hector (2587,2683), Conscious

MOTH as Young Hercules (2540,2547), Conscious

HOLOFERNES as Judas Machabeus (2540,2683), Conscious

NATHANIEL as Alexander (2511,2538), Conscious



!!!!PLAYS-IN-PLAY

•(2051,2182)

Type: Maske (Red)

Title: Maske of the Muscovites.


• (2490,2683)

Type: Inset-play (yellow)

Title: Pageant of the Nine Worthies:


\\


!!MIDSOMMER NIGHTS DREAME (1595)

!!!! PLAYS-IN-PLAY:

All scene's involving the "Rude mechanicals" arein fact ONE inset-play four parts:


•(266,371)

Type: inset-play (palest yellow)

Title: Casting


•(813,920)

Type: inset-play (pale yellow)

Title: Rehearsal


•(1746,1790)

Type: inset-play (yellow)

Title: Preferment


•(1905,2131)

Type: inset-play (bright yellow)

Title: Pyramus & Thisby


!!!!DISGUISES:

BOTTOM as Asse head (927,1601), Un-conscious


QUINCE as ‘Prologue’ (1905,1951), Conscious

SNUG as ‘Lion’ (1925,2072), Conscious

BOTTOM as ‘Pyramus’ (1925,2131), Conscious


FLUTE as ‘Thisbe’ (1925,2131), Conscious

SNOUT as ‘Wall’ (1925,2009), Conscious

STARVELING as ‘Moonshine’ (1925,2098), Conscious


\\


!!THE MERCHANT OF VENICE (1596-7)

!!!!PLAY-IN-PLAY:

•(895,971)

Type: Maske (red)

Title: Maskers


!!!!DISGUISES remain AS IS (by default)

JESSICA a boy (925,961)

PORTIA as Balthazar (2073,2402)

NERISSA as “Lawyer’s Clerk” (2026,2402)



\\



!!AS YOU LIKE IT (1599-1600)

!!!!CORRECTION: The charcater of LEBEAU should be slipped in betweenTouchstone and Duke Frederick. And Oliver Martext should likewaise be slipped in between Phebe and Audrey.


!!!!PLAYS-IN-PLAY:


•(1945,2107)

Type: Scene extempore (blue)

Title: Your Rosalind



•(2681,2775)

Type: Maske (red)

Title: Maske of Hymen


!!!!DISGUISES are conscious and remain AS IS (by default)

ROSALIND as Ganimede: (781,2681), Conscious

CELIA as Aliena (781,2681), Conscious


\\



!!THE TAMING OF THE SHREW (1590-1)

Looks fine AS IS. Except for SLY whose DISGUISE is Un-conscious


\\



!!ALL’S WELL, THAT ENDS WELL (1604-5)

!!!!DISGUISES:

HELENA as "Pilgrim" (1640,1729)

LORD E as "Musko" (1978,2006), Conscious

LORD G as "Musko" (2224,2410), Conscious

1ST Soldier as “ Musko” (1978,2006) (2224,2410), Conscious


!!!!PLAY-IN-PLAY:

•(1911,2016)

Type: Gulling (green)

Title: Capturing Parolles


•(2224,2420)

Type: Gulling (green)

Title: Interrogating Parolles



\\



!!TWELFE NIGHT (1601)

!!!!DISGUISES:

VIOLA as Cesario (250,2419), Conscious

FESTE as Sir Topaz (2003,2045), Conscious

SEBASTIAN as Cesario (1918,1983) (2136,2150), Un-conscious



!!!!PLAY-IN-PLAY:

•(1016,1182)

Type: Gulling (Green)

Title: Gulling Malvolio


•(1535,1647)

Type: Gulling (Green)

Title: Gulling Malvolio


•(2005,2112)

Type: Gulling (Green)

Title: Gulling Malvolio



\\



!!THE WINTER’S TALE (1609-11)


!!!!CORRECTION: Please remove the two entries of PERDITA "As baby": :(928,1124) (1437,1577)

!!!!DISGUISES:


POLIXENES as a Gentleman (1857,2260), Conscious

CAMILLO as a Gentleman (1857,2260), Conscious

FLORIZEL as Doricles (1796,2262), Conscious

HERMIONE as a Statue (3208,3312), Conscious

PERDITA is disguised (1796,2552) (2878,3008), Un-conscious


!!!!PLAY-IN-PLAY:

•(2164)

Type: Maske (red)

Title: A Dance of Twelve Satyres


•(3208,3312)

Type: Gulling (green)

Title: The Queenes Picture



!!THE HISTORIES

\\

!!!THE LIFE AND DEATH OF KING JOHN (1594-6)

OK

!!!THE LIFE AND DEATH OF KING RICHARD THE SECOND (1595)

OK

!!!THE FIRST PART OF KING HENRY THE FOURTH (1596-7)

Disguises are OK.

Play-in-play should be blue (scene extempore)

!!!THE SECOND PART OF HENRY THE FOURTH (1597-8)

Disguises are fine as is.


!!!THE LIFE OF KING HENRY THE FIFT (1598-9)


!!!!CORRECTIONS:

Scroop, Cambridge & Grey die after their exit at 810

BARDOLPH dies at 1550,

NYM 2449, BOY dies at 2530,

FRENCH SOLDIER dies at 2534,

Mistress QUICKLY dies at 2976


!!THE FIRST PART OF HENRY THE SIXT (1592)

OK

!!THE SECOND PART OF HENRY THE SIXT (1591)

!!!!CORRECTION: Placement of GLOSTER's DEATH at 1849


\\

!!THE THIRD PART OF HENRY THE SIXT (1591)

!!!!CORRECTION: WARWICK's last entry and death should read
(2800,2854) RIP.


\\



!!THE TRAGEDY OF RICHARD THE THIRD (1592-3)

!!!!PLAY-IN-PLAY:

•(2271-2469)

Type: Scene-extempore (blue)

Title: Play the Maids part


\\


!!THE FAMOUS HISTORY OF THE LIFE OF KING HENRY THE EIGHT(1612-3)

!!!!PLAYS-IN-PLAY :

•(758,818)

Type : Maske (red)

Title : Shepheards Maske


•(2642,2657)

Type : Dream or Vision (orange)

Title : The Vision


\\

!!THE TRAGEDIES

\\

!!THE TRAGEDIE OF TROILUS AND CRESSIDA (1600-2)

!!!!PLAY-IN-PLAY:

•(2126,2164)

Type: Scene-extempore (blue)

Title: The Pageant of Ajax

\\



!!!ART IN THE TRAGEDY OF CORIOLANUS (1607-8)

!!!!PLAY-IN-PLAY:

•(1426,1524)

Type: default (it isn't any of them: pick a colour)

Title: Gowne of Humility

\\


!!THE LAMENTABLE TRAGEDIE OF TITUS ANDRONICUS (1592-4)

!!!CORRECTION: We are missing an entry on graph, that of MARCUS in 3.1 (1195,1131).


!!!DISGUISES:

TAMORA as Revenge (2282,2434), Conscious

CHIRON & DEMETRIUS as Rape & Murder (2282,2449), Conscious

\\


!!THE TRAGEDIE OF ROMEO AND JULIET (1595-6)

!!!!PLAY-IN-PLAY:

•(454,731) — these are NEW numbers!

Type: Maske (red)

Title: The Maskers

\\

!!THE LIFE OF TYMON OF ATHENS (1605-8)

!!!!PLAY-IN-PLAY:

•(465,506)

Type: Maske

Title: Maske of Cupid & the Amazons

\\


!!THE TRAGEDIE OF JULIUS CAESAR (1599)

!!!!CORRECTION: The character of CINNA appears twice on graph (one too many).

\\


!!THE TRAGEDIE OF MACBETH (1606)

!!!!CORRECTIONS:

•I believe that, in order to remove those strange artefacts, you merely have to remove the four following CHARACTERS (which are entirely misplaced, MEA CULPA):

1st apparition (1604,1611)

2nd apparition (1616,1622)

3rd apparition (1628,1637)

Show of eight kings (1657,1671)


\\

•LADY MACBETH's last entry should read (2111,2160) and her death is at 2337.

\\

!!!!PLAY-IN-PLAY:

•(1604,1680) — these are NEW numbers for it!

Type: Dream or Vision (orange)

Title: A Shew of eight Kings

\\

!!THE TRAGEDIE OF HAMLET (1600-1)

!!!!CORRECTION: OSRICKE first entry should read (3586,3647)

\\

!!!!PLAYS-IN-PLAY

•(1494,1562)

Type: Inset-play (yellow)

Title: Rugged Pyrrhus


•(1990,2141)

Type: Inset-play

Title: The Mousetrap

\\


!!THE TRAGEDIE OF KING LEAR (1605 rev. 1610)

!!!!DISGUISES :

KENT as Caius (530,2056)

EDGAR as Poor Tom et& (1818, 3130)


\\


!!!!PLAY-IN-PLAY :

•(2430,2525)

Type : Gulling (green)

Title : Th’extreme Verge

\\


!!THE TRAGEDIE OF OTHELLO (1603-4)

!!!!PLAY-IN-PLAY:

•(2420,2555)

Type: Gulling (green)

Title: Othello shall go mad

//


!!THE TRAGEDIE OF ANTHONIE, AND CLEOPATRA (1606-7)

OK

\\


!!THE TRAGEDIE OF CYMBELINE (1609-10)

!!!!CORRECTION: JUPITER's entry should read (3126,3149)

!!!!DISGUISES:

IMOGEN as Fidele (2081,3526), Conscious

POSTHUMUS as unknown knight (2893,3490), Conscious

CLOTTEN as Posthumus (2218,2378), Conscious

BELARIUS as Morgan (1554,3644), Conscious

GUIDERIUS as Polydore (1554,3671), Un-conscious

ARVIRAGUS as Cadwal (1554,3672), Un-conscious

\\

!!!!PLAY-IN-PLAY:

•(3065,3159)

Type: Dream/Vision (orange)

Title: Jupiter descends




!!!Thankyouthankyouthankyou



<<<<<<<
=======
.... the others are done, but this one has no data for the gullings (what are the TLNs ?) sv
>>>>>>>

!!!ART IN THE TRAGEDIE OF TROILUS AND CRESSIDA (1600-2)

TLN 125
TLN 479
TLN 610
TLN 645
TLN 1041
TLN 1045
TLN 1229
TLN 1379
TLN 1646
TLN 1651
TLN 1679
TLN 2468
TLN 2877
TLN 3582

TLN 372
TLN 687
TLN 1325
TLN 1491
TLN 2862
TLN 3507
TLN 3595

!!!ART IN THE LAMENTABLE TRAGEDIE OF TITUS ANDRONICUS (1592-4)

TLN 868
TLN 1245
TLN 1407
TLN 1534
TLN 1781
TLN 1791
TLN 2103
TLN 2157
TLN 2392

!!!ART IN THE TRAGEDIE OF ROMEO AND JULIET (1595-6)

TLN 142
TLN 288
TLN 460
TLN 1149
TLN 1151
TLN 1191
TLN 2170
TLN 2229
TLN 2359
TLN 2733
TLN 3118

!!!ART IN THE LIFE OF TYMON OF ATHENS (1605-8)

TLN 38
TLN 46
TLN 52
TLN 112
TLN 193
TLN 195
TLN 196
TLN 198
TLN 238
TLN 240
TLN 241
TLN 355
TLN 778
TLN 1586
TLN 1666
TLN 1726
TLN 1763
TLN 1822
TLN 1982
TLN 2235
TLN 2296
TLN 2298
TLN 2302

!!!ART IN THE TRAGEDIE OF JULIUS CAESAR (1599)

TLN 72
TLN 76
TLN 390
TLN 1271
TLN 1893
TLN 2190

!!!ART IN THE TRAGEDIE OF MACBETH (1606)

TLN 28
TLN 201
TLN 246
TLN 249
TLN 292
TLN 713
TLN 714
TLN 831
TLN 833
TLN 1330
TLN 1331
TLN 1383
TLN 1384
TLN 1439
TLN 1457
TLN 1458
TLN 1645
TLN 1656
TLN 1973
TLN 2345
TLN 2466

!!!ART IN THE TRAGEDIE OF HAMLET (1600-1)

TLN 98
TLN 675
TLN 1123
TLN 1124
TLN 1127
TLN 1148
TLN 1304
TLN 1306
TLN 1308
TLN 1310
TLN 1521
TLN 1412
TLN 1703
TLN 1705
TLN 1781
TLN 1798
TLN 1871
TLN 1882
TLN 1934
TLN 2106
TLN 2437
TLN 2438
TLN 2764
TLN 2823
TLN 3044
TLN 3096
TLN 3106
TLN 3376
TLN 3381
TLN 3391
TLN 3581
TLN 3582

!!!ART IN THE TRAGEDIE OF KING LEAR (1605 rev. 1610)

TLN 246
TLN 496
TLN 744
TLN 1020
TLN 1132
TLN 1365
TLN 1726
TLN 2020
TLN 2534
TLN 2573
TLN 2603
TLN 2670
TLN 2738
TLN 2921
TLN 3226

!!!ART IN THE TRAGEDIE OF OTHELLO (1603-4)

TLN 297
TLN 879
TLN 1025
TLN 1999
TLN 2417
TLN 3133

!!!ART IN THE TRAGEDIE OF ANTHONIE, AND CLEOPATRA (1606-7)

TLN 96
TLN 999
TLN 1170
TLN 2446
TLN 3318
TLN 3320

!!!ART IN THE TRAGEDIE OF CYMBELINE (1609-10)

TLN 446
TLN 932
TLN 1343
TLN 1604
TLN 1676
TLN 1721
TLN 1803
TLN 1863
TLN 2629
TLN 2693
TLN 3133
TLN 3218
TLN 3455
TLN 3485
TLN 3650

!!!ART IN THE TRAGEDY OF RICHARD THE THIRD (1592-3)

TLN 21
TLN 712
TLN 917
TLN 1251
TLN 1324
TLN 2089
TLN 2121
TLN 2854
TLN 3460
TLN 3462
TLN 3677


!!!ART IN THE FAMOUS HISTORY OF THE LIFE OF KING HENRY THE EIGHT(1612-3)

TLN 70
TLN 313
TLN 1629
TLN 2356
TLN 2620
TLN 3120
TLN 3167

!!!ART IN THE FIRST PART OF HENRY THE SIXT (1592)

TLN 275
TLN 693
TLN 875
TLN 876
TLN 886
TLN 891
TLN 894
TLN 895
TLN 905
TLN 979
TLN 991
TLN 996
TLN 1190
TLN 1939
TLN 2257
TLN 2317
TLN 2500
TLN 2636
TLN 2709
TLN 2775


!!!ART IN THE SECOND PART OF HENRY THE SIXT (1591)

TLN 446
TLN 571
TLN 1781
TLN 1850
TLN 3139


!!!ART IN THE THIRD PART OF HENRY THE SIXT (1591)

TLN 469
TLN 1088
TLN 1254
TLN 1348
TLN 1798
TLN 1708
TLN 2937

!!!ART IN THE TRAGEDY OF RICHARD THE THIRD (1592-3)

TLN 21

same goes for ADRIANA (706,712

!!!TEMPEST (1611)

!!!THE TWO GENTLEMEN OF VERONA (circa 1590-4)

!!!THE MERRY WIVES OF WINDSOR (1597-8)

FORD as “Broome” (914,1064) (1730,1820) (2409,2429)

!!!MEASURE FOR MEASURE (1603)

!!!THE COMEDY OF ERRORS (1594)

!!!!CORRECTION 1; This is going to be somewhat complex, alas. My use of brackets [] to indicate characters speaking from off-stage in act 3 is problematic. May we then re-integrate the following Entrances & Exits, please?

!!!MUCH ADOE ABOUT NOTHING (1598)

!!!!PLAY-IN-PLAY:

!!! LOVES LABOURS LOST (1594-5)

LONGAVILLE as Muscovite (2052,2182), Conscious ?

!!!!PLAY-IN-PLAY

!!!MIDSOMMER NIGHTS DREAME (1595)

!!!! Play-in-play: All scene's involving the "Rude mechanicals" arein fact ONE inset-play four parts:

\\

\\

\\

Play-in-play: (1905,2131)

\\

?SNUG as ‘Lion’ (1925,2072), Conscious

?BOTTOM as ‘Pyramus’ (1925,2131), Conscious

?SNOUT as ‘Wall’ (1925,2009), Conscious

?STARVELING as ‘Moonshine’ (1925,2098), Conscious



!!!THE MERCHANT OF VENICE (1596-7)

!!!AS YOU LIKE IT (1599-1600)

!!!!A correction: The charcater of LEBEAU should be slipped in betweenTouchstone and Duke Frederick. And Oliver Martext should likewaise be slipped in between Phebe and Audrey.

\\

!!!!PLAY-IN-PLAY:

ROSALIND as Ganimede: (781,2681)

CELIA as Aliena (781,2681)


!!!THE TAMING OF THE SHREW (1590-1)

Looks fine AS IS


\\


=======
>>>>>>>
!!!ALL’S WELL, THAT ENDS WELL (1604-5)

!!!TWELFE NIGHT (1601)

\\

!!! THE WINTER’S TALE (1609-11)

\\

\\

!!THE HISTORIES

\\

Un-conscious (blue

Everything is fine except the two Gullings need to be Green.

\\

!!!TEMPEST (1611)

Disguise: ARIEL (1583,1616)

Type: conscious (yellow)

Title: Harpy

\\

Play-Within-Play: (1707,1806)

NEW Type: Maske (red)

Title: Maske of Juno




!!!THE TWO GENTLEMEN OF VERONA (circa 1590-4)

Disguise: Julia (1649,2225)

Type: conscious (yellow)

Title: Sebastian



!!!THE MERRY WIVES OF WINDSOR (1597-8)

!!!!A Correction : Ford is diguised (as Broome) until 2429 (not 2729)

Play-within-play, « Herne The Hunter »

NEW Type : Gulling (green)


All Disguises are Conscious (remain yellow)






!!!MEASURE FOR MEASURE (1603)

Duke's disguise is conscious.

Everything, stays as is.



!!!THE COMEDY OF ERRORS (1594)

!!!!Correction 1; This is going to be somewhat complex, alas. My use of brackets [] to indicate characters speaking from off-stage in act 3 is problematic. May we then re-integrate the following Entrances & Exits, please?

S.DROMIO: is ON for (652,740)

same goes for ADRIANA (706,712

and LUCIANA (679,712)


!!!!Correction 2 (the one from hell). The following disguises are all unconscious (blue):

S.ANTIPHOLUS is disguised for (206,260) (504,615) (786,860) (1227,1263) (1476,1503)

S.DROMIO is disguised for (504,615) (679,712) (1073,1097) (1135,1182) (1227,1263) (1476,1503)

E.ANTIPHOLUS is disguised for (579,712) (1073,1097)

E. DROMIO is disguised for (206,260) (679,712)





!!!MUCH ADOE ABOUT NOTHING (1598)

!!!!A Correction: Balthazar's 3rd entry should read (868,924)

\\

Play-in-play: (489,780)

NEW Type: Maske (Red)

Title: Maskers with a Drum

\\

NEW Play-in-play: (868,1043)

Type: Gulling (green)

Title: Gulling Benedick

\\

NEW Play-in-play: (1088,1197)

Type: Gulling (green)

Title: Gulling Beatrice




!!! LOVES LABOURS LOST (1594-5)

Play-in-play: (2051,2182) as before

NEW Type: Maske (Red)

Title: Maske of the Muscovites.

\\

Play-in-play: (2490,2683) as before

Type: inset-play (yellow)

Title: Pageant of the Nine Worthies:


!!!MIDSOMMER NIGHTS DREAME (1595)

NEW Play-in-play: (266,371)

Type: inset-play (palest yellow)

Title: Casting Pyramus

\\

NEW Play-in-play: (813,920)

Type: inset-play (pale yellow)

Title: Rehearsing Pyramus

\\

NEW Play-in-play: (1746,1790)

Type: inset-play (yellow)

Title: Prefering Pyramus

\\

Play-in-play: (1905,2131)

Type: inset-play (bright yellow)

Title: Pyramus & Thisby

\\

NEW A disguise: Bottom (927,1601)

Type: unconscious (blue)

Title: Asse head



!!!THE MERCHANT OF VENICE (1596-7)

NEW! Play-in-play: (895,971)

Type: Maske (red)

Title: Maskers


All DISGUISES (Jessica, Portia, Nerissa) As IS.


!!!AS YOU LIKE IT (1599-1600)

!!!!A correction: The charcater of LEBEAU should be slipped in betweenTouchstone and Duke Frederick. And Oliver Martext should likewaise be slipped in between Phebe and Audrey.

\\

NEW! Play-in-play: (2681,2775)

Type: Maske (red)

Title: Maske of Hymen

\\

Play-in-Play: (1945,2107)

NEW! Type: Scene extempore (blue)

Title: Your Rosalind

DISGUISES (Rosalind, Celia) as is.


!!!THE TAMING OF THE SHREW (1590-1)

OK

!!!TWELFE NIGHT (1601)

VIOLA/CESARIO remains as is. Same goes for FESTE/SIR TOPAZ.

\\

NEW! Play-in-play: (1016,1182) (1535,1647) (2005,2112)

Type: Gulling (Green)

Title: Gulling Malvolio

\\

NEW! Disguise: SEBASTIAN (1918,1983) (2136,2150)

Type: un-conscious (blue)

Title: Cesario

!!! THE WINTER’S TALE (1609-11)


!!!!A CORRECTION: Please remove the two entries of PERDITA "As baby": :(928,1124) (1437,1577)

All disguises remain as is. EXCEPT for PERDITA
which should be BLUE (un-conscious)

\\

The masque/dance of TWELVE SATYRS (2164) should be red.

And "The Queene's Picture" should be Green

\\


!!THE HISTORIES

\\

!!!THE LIFE AND DEATH OF KING JOHN (1594-6)

OK

!!!THE LIFE AND DEATH OF KING RICHARD THE SECOND (1595)

OK

!!!THE FIRST PART OF KING HENRY THE FOURTH (1596-7)

Disguises are OK.

Play-in-play should be blue (scene extempore)

!!!THE SECOND PART OF HENRY THE FOURTH (1597-8)

Disguises are fine as is.


!!!THE LIFE OF KING HENRY THE FIFT (1598-9)


!!!!CORRECTIONS:

Scroop, Cambridge & Grey die after their exit at 810

BARDOLPH dies at 1550,

NYM 2449, BOY dies at 2530,

FRENCH SOLDIER dies at 2534,

Mistress QUICKLY dies at 2976


!!!ART IN THE FIRST PART OF HENRY THE SIXT (1592)

TLN 275
TLN 693
TLN 875
TLN 876
TLN 886
TLN 891
TLN 894
TLN 895
TLN 905
TLN 979
TLN 991
TLN 996
TLN 1190
TLN 1939
TLN 2257
TLN 2317
TLN 2500
TLN 2636
TLN 2709
TLN 2775


!!!ART IN THE SECOND PART OF HENRY THE SIXT (1591)

TLN 21
TLN 446
TLN 571
TLN 1781
TLN 1850
TLN 3139


!!!ART IN THE THIRD PART OF HENRY THE SIXT (1591)

TLN 469
TLN 1088
TLN 1254
TLN 1348
TLN 1798
TLN 1708
TLN 2937

!!!ART IN THE TRAGEDY OF RICHARD THE THIRD (1592-3)

TLN 21
TLN 712
TLN 917
TLN 1251
TLN 1324
TLN 2089
TLN 2121
TLN 2854
TLN 3460
TLN 3462
TLN 3677


!!!ART IN THE FAMOUS HISTORY OF THE LIFE OF KING HENRY THE EIGHT(1612-3)

TLN 70
TLN 313
TLN 1629
TLN 2356
TLN 2620
TLN 3120
TLN 3167

\\

!!THE TRAGEDIES

\\

!!!ART IN THE TRAGEDIE OF TROILUS AND CRESSIDA (1600-2)

TLN 125
TLN 479
TLN 610
TLN 645
TLN 1041
TLN 1045
TLN 1229
TLN 1379
TLN 1646
TLN 1651
TLN 1679
TLN 2468
TLN 2877
TLN 3582

!!!ART IN THE TRAGEDY OF CORIOLANUS (1607-8)

TLN 372
TLN 687
TLN 1325
TLN 1491
TLN 2862
TLN 3507
TLN 3595

!!!ART IN THE LAMENTABLE TRAGEDIE OF TITUS ANDRONICUS (1592-4)

TLN 868
TLN 1245
TLN 1407
TLN 1534
TLN 1781
TLN 1791
TLN 2103
TLN 2157
TLN 2392

!!!ART IN THE TRAGEDIE OF ROMEO AND JULIET (1595-6)

TLN 142
TLN 288
TLN 460
TLN 1149
TLN 1151
TLN 1191
TLN 2170
TLN 2229
TLN 2359
TLN 2733
TLN 3118

!!!ART IN THE LIFE OF TYMON OF ATHENS (1605-8)

TLN 38
TLN 46
TLN 52
TLN 112
TLN 193
TLN 195
TLN 196
TLN 198
TLN 238
TLN 240
TLN 241
TLN 355
TLN 778
TLN 1586
TLN 1666
TLN 1726
TLN 1763
TLN 1822
TLN 1982
TLN 2235
TLN 2296
TLN 2298
TLN 2302

!!!ART IN THE TRAGEDIE OF JULIUS CAESAR (1599)

TLN 72
TLN 76
TLN 390
TLN 1271
TLN 1893
TLN 2190

!!!ART IN THE TRAGEDIE OF MACBETH (1606)

TLN 28
TLN 201
TLN 246
TLN 249
TLN 292
TLN 713
TLN 714
TLN 831
TLN 833
TLN 1330
TLN 1331
TLN 1383
TLN 1384
TLN 1439
TLN 1457
TLN 1458
TLN 1645
TLN 1656
TLN 1973
TLN 2345
TLN 2466

!!!ART IN THE TRAGEDIE OF HAMLET (1600-1)

TLN 98
TLN 675
TLN 1123
TLN 1124
TLN 1127
TLN 1148
TLN 1304
TLN 1306
TLN 1308
TLN 1310
TLN 1521
TLN 1412
TLN 1703
TLN 1705
TLN 1781
TLN 1798
TLN 1871
TLN 1882
TLN 1934
TLN 2106
TLN 2437
TLN 2438
TLN 2764
TLN 2823
TLN 3044
TLN 3096
TLN 3106
TLN 3376
TLN 3381
TLN 3391
TLN 3581
TLN 3582

!!!ART IN THE TRAGEDIE OF KING LEAR (1605 rev. 1610)

TLN 246
TLN 496
TLN 744
TLN 1020
TLN 1132
TLN 1365
TLN 1726
TLN 2020
TLN 2534
TLN 2573
TLN 2603
TLN 2670
TLN 2738
TLN 2921
TLN 3226

!!!ART IN THE TRAGEDIE OF OTHELLO (1603-4)

TLN 297
TLN 879
TLN 1025
TLN 1999
TLN 2417
TLN 3133

!!!ART IN THE TRAGEDIE OF ANTHONIE, AND CLEOPATRA (1606-7)

TLN 96
TLN 999
TLN 1170
TLN 2446
TLN 3318
TLN 3320

!!!ART IN THE TRAGEDIE OF CYMBELINE (1609-10)

TLN 446
TLN 932
TLN 1343
TLN 1604
TLN 1676
TLN 1721
TLN 1803
TLN 1863
TLN 2629
TLN 2693
TLN 3133
TLN 3218
TLN 3455
TLN 3485
TLN 3650



!!!Thankyouthankyouthankyou

Inset-play (yellow)

Conscious (yellow)

!!!ART IN THE SECOND PART OF HENRY THE FOURTH (1597-8)

TLN 252
TLN 532
TLN 740
TLN 904
TLN 1669
TLN 2127
TLN 2283
TLN 2433
TLN 2437
TLN 2604
TLN 2959
TLN 2964
TLN 2974



!!!ART IN THE LIFE OF KING HENRY THE FIFT (1598-9)

TLN 19
TLN 27
TLN 92
TLN 1045
TLN 1089
TLN 1428
TLN 1480
TLN 1481
TLN 1508
TLN 1669
TLN 2866
TLN 2965
TLN 3022
TLN 3310

Type: Maske (red)

As is.
Play-within-play, « Herne The Hunter »/
Type : Gulling (green)



All Disguises are Conscious (yellow)


!!!!Correction : Ford is diguised (as Broome) until 2429 (not 2729)

!!!ART in MEASURE FOR MEASURE (1603)

TLN 15
TLN 277
TLN 947
TLN 1049
TLN 1347
TLN 1480
TLN 1535
TLN 1568
TLN 1651
TLN 1889
TLN 1891
TLN 1893
TLN 2585
TLN 2789

!!!ART in THE COMEDY OF ERRORS (1594)

TLN 563
TLN 1193
TLN 1197
TLN 1677

!!!ART in MUCH ADOE ABOUT NOTHING (1598)

TLN 255
TLN 424
TLN 523
TLN 937
TLN 939
TLN 1085
TLN 1258
TLN 1305
TLN 1460
TLN 1889
TLN 2333


!!!ART in LOVES LABOURS LOST (1594-5)

TLN 18
TLN 505
TLN 537
TLN 789
TLN 1064
TLN 1273
TLN 1588
TLN 1608
TLN 1612
TLN 1614
TLN 1675
TLN 1703
TLN 1815
TLN 1926
TLN 2529
TLN 2599

!!!ART in MIDSOMMER NIGHTS DREAME (1595)

TLN 204
TLN 249
TLN 508
TLN 759
TLN 990
TLN 1230
TLN 1264
TLN 1322
TLN 1330
TLN 1388
TLN 1800
TLN 1806
TLN 1809
TLN 1812
TLN 1816
TLN 2015
TLN 2016
TLN 2017
TLN 2018
TLN 2207

!!!ART in THE MERCHANT OF VENICE (1596-7)

TLN 262
TLN 984
TLN 1021
TLN 1166
TLN 1179
TLN 1180
TLN 1462
TLN 1468
TLN 1474
TLN 1475

!!!ART in AS YOU LIKE IT (1599-1600)

TLN 609
TLN 1172
TLN 1228
TLN 1290
TLN 1466
TLN 1586
TLN 1788
TLN 2321
TLN 2322
TLN 2325
TLN 2327
TLN 2328
TLN 2337
TLN 2435
TLN 2470

!!!ART in THE TAMING OF THE SHREW (1590-1)

TLN 39
TLN 51
TLN 201
TLN 202
TLN 208
TLN 212
TLN 301
TLN 368
TLN 1359
TLN 1855
TLN 1856
TLN 2161
TLN 2193
TLN 2278
TLN 2498

!!!ART in ALL’S WELL, THAT ENDS WELL (1604-5)

TLN 86
TLN 727
TLN 742
TLN 767
TLN 810
TLN 902
TLN 1769
TLN 2140
TLN 2207
TLN 2754
TLN 2755
TLN 2756
TLN 2757
TLN 3044

!!!ART in TWELFE NIGHT (1601)

TLN 208
TLN 235
TLN 524
TLN 716
TLN 903
TLN 1057
TLN 1168
TLN 1197
TLN 1277
TLN 1725
TLN 1747
TLN 1882
TLN 1896
TLN 1904
TLN 2004
TLN 2099
TLN 2381

!!!ART in THE WINTER’S TALE (1609-11)

TLN 1598
TLN 1652
TLN 1897
TLN 1901
TLN 1902
TLN 1906
TLN 1908
TLN 1914
TLN 2474
TLN 2480
TLN 2816
TLN 2882
TLN 3103
TLN 3105
TLN 3181
TLN 3252
TLN 3256
TLN 3266
TLN 3285
TLN 3319

!!THE HISTORIES

!!!ART IN THE LIFE AND DEATH OF KING JOHN (1594-6)

TLN 814
TLN 815
TLN 816
TLN 1024
TLN 1030
TLN 1168
TLN 1728
TLN 1789
TLN 1978
TLN 1990

!!!ART IN THE LIFE AND DEATH OF KING RICHARD THE SECOND (1595)

TLN 187
TLN 561
TLN 585
TLN 664
TLN 966
TLN 970
TLN 975
TLN 979
TLN 1851
TLN 2215
TLN 2216
TLN 2218
TLN 2221
TLN 2383

!!!ART IN THE FIRST PART OF KING HENRY THE FOURTH (1596-7)

TLN 298
TLN 523
TLN 1453
TLN 1573
TLN 1919
TLN 2331
TLN 2400
TLN 2987
TLN 2989
TLN 2994
TLN 3079
TLN 3080
TLN 3081
TLN 3082
TLN 3083
TLN 3084
TLN 3088
TLN 3089


!!!ART IN THE SECOND PART OF HENRY THE FOURTH (1597-8)

TLN 252
TLN 532
TLN 740
TLN 904
TLN 1669
TLN 2127
TLN 2283
TLN 2433
TLN 2437
TLN 2604
TLN 2959
TLN 2964
TLN 2974



!!!ART IN THE LIFE OF KING HENRY THE FIFT (1598-9)

TLN 19
TLN 27
TLN 92
TLN 1045
TLN 1089
TLN 1428
TLN 1480
TLN 1481
TLN 1508
TLN 1669
TLN 2866
TLN 2965
TLN 3022
TLN 3310

!!!ART IN THE FIRST PART OF HENRY THE SIXT (1592)

TLN 275
TLN 693
TLN 875
TLN 876
TLN 886
TLN 891
TLN 894
TLN 895
TLN 905
TLN 979
TLN 991
TLN 996
TLN 1190
TLN 1939
TLN 2257
TLN 2317
TLN 2500
TLN 2636
TLN 2709
TLN 2775


!!!ART IN THE SECOND PART OF HENRY THE SIXT (1591)

TLN 21
TLN 446
TLN 571
TLN 1781
TLN 1850
TLN 3139


!!!ART IN THE THIRD PART OF HENRY THE SIXT (1591)

TLN 469
TLN 1088
TLN 1254
TLN 1348
TLN 1798
TLN 1708
TLN 2937

!!!ART IN THE TRAGEDY OF RICHARD THE THIRD (1592-3)

TLN 21
TLN 712
TLN 917
TLN 1251
TLN 1324
TLN 2089
TLN 2121
TLN 2854
TLN 3460
TLN 3462
TLN 3677


!!!ART IN THE FAMOUS HISTORY OF THE LIFE OF KING HENRY THE EIGHT(1612-3)

TLN 70
TLN 313
TLN 1629
TLN 2356
TLN 2620
TLN 3120
TLN 3167

!!THE TRAGEDIES

!!!ART IN THE TRAGEDIE OF TROILUS AND CRESSIDA (1600-2)

TLN 125
TLN 479
TLN 610
TLN 645
TLN 1041

TLN 1229
TLN 1379
TLN 1646
TLN 1651
TLN 1679
TLN 2468
TLN 2877
TLN 3582

!!!ART IN THE TRAGEDY OF CORIOLANUS (1607-8)

TLN 372
TLN 687
TLN 1325
TLN 1491
TLN 2862
TLN 3507
TLN 3595

!!!ART IN THE LAMENTABLE TRAGEDIE OF TITUS ANDRONICUS (1592-4)

TLN 868
TLN 1245
TLN 1407
TLN 1534

DIGUISED as “Sebastian”
!!!ART IN THE MERRY WIVES OF WINDSOR (1597-8)

TLN 855
TLN 992
TLN 1249
TLN 1542
TLN 2041
TLN 2226
TLN 2332
TLN 2361

!NEW FINAL CORRECTIONS: Plays-within-the-plays & Disguises


We distinguish five types of play-within-the-play:

And two types of disguise:

!!!ART IN THE TEMPEST (1611)

TLN 82
TLN 111
TLN 114
TLN 132
TLN 168
TLN 248
TLN 419
TLN 515
TLN 889
TLN 1000
TLN 1067
TLN 1301
TLN 1483
TLN 1695
TLN 1782
TLN 2001
TLN 2335

!!!ART IN THE TWO GENTLEMEN OF VERONA (circa 1590-4)

TLN 452
TLN 453
TLN 454
TLN 666
TLN 856
TLN 864
TLN 1246
TLN 1443
TLN 1444
TLN 1447
TLN 1448
TLN 1906
TLN 1936
TLN 1939
TLN 2002
TLN 2005
TLN 2015
TLN 2019
TLN 2172

!NEW FINAL CORRECTIONS: TLN DATA FOR SCATTERPLOT GRAPHS

<<<<<<<

=======
!!!ART IN
THE TEMPEST (1611)
>>>>>>>

ART IN
THE TWO GENTLEMEN OF VERONA (circa 1590-4)

ART IN
THE MERRY WIVES OF WINDSOR (1597-8)

ART in
MEASURE FOR MEASURE (1603)

ART in
THE COMEDY OF ERRORS (1594)

ART in
MUCH ADOE ABOUT NOTHING (1598)

ART in
LOVES LABOURS LOST (1594-5)

ART in
MIDSOMMER NIGHTS DREAME (1595)

ART in
THE MERCHANT OF VENICE (1596-7)

ART in
AS YOU LIKE IT (1599-1600)

ART in
THE TAMING OF THE SHREW (1590-1)

ART in
ALL’S WELL, THAT ENDS WELL (1604-5)

ART in
TWELFE NIGHT (1601)

ART in
THE WINTER’S TALE (1609-11)

ART IN
THE LIFE AND DEATH OF KING JOHN (1594-6)

ART IN
THE LIFE AND DEATH OF KING RICHARD THE SECOND (1595)

ART IN
THE FIRST PART OF KING HENRY THE FOURTH (1596-7)

ART IN
THE SECOND PART OF HENRY THE FOURTH (1597-8)

ART IN
THE LIFE OF KING HENRY THE FIFT (1598-9)

ART IN
THE FIRST PART OF HENRY THE SIXT (1592)

ART IN
THE SECOND PART OF HENRY THE SIXT (1591)

ART IN
THE THIRD PART OF HENRY THE SIXT (1591)

ART IN
THE TRAGEDY OF RICHARD THE THIRD (1592-3)

ART IN
THE FAMOUS HISTORY OF THE LIFE OF KING HENRY THE EIGHT
[ALL IS TRUE] (1612-3)

!NEW FINAL CORRECTIONS:
TLN DATA FOR SCATTERPLOT GRAPHS

ART IN

!!TLN DATA FOR SCATTERPLOT GRAPHS


!!!THE COMEDIES

!!!NEW FINAL CORRECTIONS:

!THE COMEDIES

\\

!!TEMPEST:

Play-within-the-play (1707,1806) is entitled:

\\

!!!MASQUEOF JUNO


!!!http://zboing.ca/shakespeare/svg/Comedies/TheTempest


\\

\\

!!TWO GENTLEMEN OF VERONA:

Perfect.


!!!http://zboing.ca/shakespeare/svg/Comedies/TheTwoGentlemenOfVerona

\\

\\

!!MERRY WIVES OF WINDSOR

Play-within-the-play (2518,2588) is entitled:

\\

!!!HERNE THE HUNTER.

!!!http://zboing.ca/shakespeare/svg/Comedies/TheMerryWivesOfWindsor

\\

\\

!!MEASURE FOR MEASURE

Perfect.


!!!http://zboing.ca/shakespeare/svg/Comedies/MeasureForMeasure

\\

\\

!!COMEDY OF ERRORS

Perfect

!!!http://zboing.ca/shakespeare/svg/Comedies/TheComedyOfErrors

\\

\\

!!MUCH ADO ABOUT NOTHING

The MASQUE (489,780) is simply a

\\

!!!MASQUED REVEL

!!!http://zboing.ca/shakespeare/svg/Comedies/MuchAdooAboutNothing

\\

\\

!!LOVE'S LABOURS LOST

The MASQUE (2051,2182) is usually referred to as

\\

!!!MASQUE OF THE RUSSIANS.

\\

•We should ADD that in the course of this Masque, the LADIES are also DIGUISED:

\\

•PRINCESS is disguised as ROSALINE (2050,2233)

\\

•ROSALINE is disguised as the PRINCESS (2050,2233)

\\

•MARIA is disguised as KATHERINE (2050,2233)

\\

•KATHERINE is disguised as MARIA (2050,2233)

\\

The point of this exercise being to get the disguised men to declare their undying absolute love to the WRONG girl.

\\

\\

•As for the Play-within-the-play (2490,2683) it is entitled:

\\

!!!THE PAGEANT OF NINE WORTHIES



!!!http://zboing.ca/shakespeare/svg/Comedies/LovesLabourLost

\\

\\

!!MIDSOMMER NIGHTS DREAME

Play-within-the-play (1905,2131) is entitled:

\\

!!!PYRAMUS & THISBY

!!!http://zboing.ca/shakespeare/svg/Comedies/MidsommerNightsDreame

\\

\\

!!MERCHANT OF VENICE

Perfect

!!!http://zboing.ca/shakespeare/svg/Comedies/TheMerchantOfVenice

\\

\\

!!AS YOU LIKE IT

The Play-within-the-play (1945,2107) we will entitle:

\\

!!!«AM I NOT YOUR ROSALIND?»

!!!http://zboing.ca/shakespeare/svg/Comedies/AsYouLikeIt

\\

\\

!!TAMING OF THE SHREW

•Just for the sake of better differentiating the INDUCTION's characters from those of the "play" SHREW itself: could the horizontal character rule for SLY, LORD, 3 SERVS, & PAGE be thinner (as you had done for the very first version of 1HEN IV, wherein certain characters "accompanied" others)


!!!http://zboing.ca/shakespeare/svg/Comedies/TheTamingOfTheShrew

\\

\\

!!ALL'S WELL THAT ENDS WELL

Three things

\\

1) Sorry about this but…

\\

•I must admit to still being torn about the two GULLINGS OF PAROLLES (1900,2016) & (2224,2420) respectively, since both instances ARE occurences of "play-acting" (the second one even occurs before an "audience" composed of BERTRAM and the two LORDS/ CAPTAIN).

\\

So… lets put them back in please (sorrysorrysorry) and entitle them:

\\

!!!GULLING OF PAROLLES #1 (1900,2016)

\\

!!!GULLING OF PAROLLES #2 (2224,2420)


\\

\\

2) HELENA is disguised as

\\

!!!!A PILGRIM (1640,1729)

\\

\\

3) Also could we add the Characters of

\\

•LORD G. (a.k.a. Captain G)

\\

&

\\

•LORD E. (a.k.a. Captain E)


!!!http://zboing.ca/shakespeare/svg/Comedies/AllIsWellThatEndsWell

\\

!!TWELFE NIGHT

I AM AN IDIOT!!

\\

FESTE is lacking TWO ENTRIES

\\

(2153,2199)

\\

(2352,2579)

\\

This is profoundly stupid of me since it is FESTE that concludes the ENTIRE play

!!!http://zboing.ca/shakespeare/svg/Comedies/TwelfeNightOrWhatYouWill

\\

\\

!!WINTER'S TALE

Well, there IS the ridiculously small DANCE OF TWELVE SATYRS (at 2164).

\\

As for the final metatheatrical event it should probably be entitled

\\

!!!THE QUEENES PICTURE

!!!http://zboing.ca/shakespeare/svg/Comedies/TheWintersTale

\\

\\

\\

!THE HISTORIES

\\

!!KING JOHN

Since F DOES provide the appropriate breaks (even if they are mis-numbered), I would pass over the bad compositing, and stick simply to Dyce's ACT 2.

F Act 1: line 1

\\

(Dyce) Act 2: line 291

\\

F Act 3: line 997

\\

F Act 4: line 1569

\\

F Act 5: line 2165


!!!http://zboing.ca/shakespeare/svg/Histories/TheLifeAndDeathOfKingJohn

\\

\\

!!RICHARD II

Perfect.

!!!http://zboing.ca/shakespeare/svg/Histories/TheLifeAndDeathOfRichardTheSecond

\\

\\

!!1 HENRY IV

•Let us entitle the brief play-within-the-play (1332,1439):

\\

!!!IN KING CAMBYSES VEIN


!!!http://zboing.ca/shakespeare/svg/Histories/TheFirstPartOfKingHenryTheFourth

\\

\\

!!!!2 HENRY IV

•PRINCE & POINS are disguised (1256,1308) simply in order to be:

\\

!!!!INCOGNITO

!!!http://zboing.ca/shakespeare/svg/Histories/TheSecondPartOfKingHenryTheFourth

\\

\\

!!HENRY V

Un oubli.

\\

•HENRY is disguised — once again INCOGNITO — from (1881,2073)


!!!http://zboing.ca/shakespeare/svg/Histories/TheLifeOfKingHenryTheFift

\\

\\

!!1HENRY VI

Perfect

!!!http://zboing.ca/shakespeare/svg/Histories/TheFirstPartOfKingHenryTheSixt

\\

\\

!!2 HENRY VI

Perfect

!!!http://zboing.ca/shakespeare/svg/Histories/TheSecondPartOfKingHenryTheSixt

\\

\\

!!3 HENRY VI

Another lacunae of mine …

\\

•In 3.1, HENRY is briefly disguised (presumably —given his prayerbook — as a MONK):

\\

(1410,1467)



!!!http://zboing.ca/shakespeare/svg/Histories/TheThirdPartOfKingHenryTheSixt

\\

\\

!!RICHARD III

•We could entitle the Play-within-the-play (2271-2469) either THE WOOING OF RICHARD or rather (lifting a line from the text):

\\

!!!PLAY THE MAIDS PART

\\

\\

•A CORRECTION: Could we remove the colouring of all the GHOSTS without, however altering the tag "ghost". After all, these characters aren't "disguised" but dead. The Ghost-characters in question are:

\\

CLARENCE (Ghost 3578,[3638])

\\

HASTINGS (Ghost 3596,[3638])

\\

ANNE (Ghost 3614,[3638])

\\

RIVERS (Ghost 3587,[3638])

\\

GREY (Ghost 3587,[3638])

\\

BUCKINGHAM (Ghost 3625,[3638])

\\

Young DUKE OF YORK (Ghost 3603,[3638])

\\

Young PRINCE EDWARD (Ghost 3603,[3638])

!!!http://zboing.ca/shakespeare/svg/Histories/TheLifeAndDeathOfRichardTheThird

\\

\\

!!HENRY VIII

•The MASQUED DANCE (758,818) is entitled:

\\

!!!SHEPHERDS MASQUE

\\

\\

•While Queen Katherine's vision is entitled :

\\

!!!KATHERINES VISION



!!!http://zboing.ca/shakespeare/svg/Histories/TheLifeOfKingHenryTheEight

\\

\\

\\

!THE TRAGEDIES

\\

\\

!!TROILUS & CRESSIDA

Perfect.

!!!http://zboing.ca/shakespeare/svg/Tragedies/TheTragedieOfTroylusAndCressida

\\

\\

!!CORIOLANUS

Perfect.

!!!http://zboing.ca/shakespeare/svg/Tragedies/TheTragedyOfCoriolanus

\\

\\

!!TITUS ANDRONICUS

Perfect

!!!http://zboing.ca/shakespeare/svg/Tragedies/TitusAndronicus

\\

\\

!!ROMEO & JULIET

Let us entitle the Revells at the Capulets (454,712):

\\

!!!REVEL AT CAPULETS

\\

I also realized that not everyone involved is masqued. In fact, ROMEO, BENVOLIO & MERCUTIO introduce themselves into the Capulet's party along with a bunch of Maskers (i.e. something akin to christmas carrolers, who ring your doorbell and sing you a song). Maskers — as in TYMON & HENRY VIII — basically barge-in, but since they bring life to a party they are, more often than not, welcomed.

\\

In other words … this means that ROMEO, BENVOLIO, & MERCUTIO are "disguised" as MASKERS.

\\

ROMEO from (454,717)

\\

BENVOLIO from (454,710)

\\

& MERCUTIO from (454,712)

!!!http://zboing.ca/shakespeare/svg/Tragedies/RomeoAndJuliet

\\

\\

!!TIMON OF ATHENS

The masque (465,513) is entitled

\\

!!!MASQUE OF CUPID & THE AMAZONS

!!!http://zboing.ca/shakespeare/svg/Tragedies/TimonOfAthens

\\

\\

!!JULIUS CAESAR

•As in RICHARD III, could you remove the colouring around CAESAR's final entrance as a GHOST (2287,2300) while retaining the tag "ghost". Once again, he isn't disguised. he's a ghost

!!!http://zboing.ca/shakespeare/svg/Tragedies/TheLifeAndDeathOfJuliusCaesar

\\

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!!MACBETH

The metatheatrical event (1604,1671) is entitled:

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!!!SHOW OF EIGHT KINGS

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•As in JULIUS CAESAR & RICHARD III, could you remove the colouring around BANQUO's two entrances as a GHOST — (1299,1343) (1363,1384) — as well as his his final entrance as an APPARITION (1657,1671). But please retain the tags "ghost" & "apparition".

!!!http://zboing.ca/shakespeare/svg/Tragedies/TheTragedyOfMacbeth

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!!HAMLET

The first play-within-the-play (1494,1562) is entitled

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!!!RUGGED PYRRHUS

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while the second (1990,2141) is entitled

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!!!THE MURDER OF GONZAGO


!!!http://zboing.ca/shakespeare/svg/Tragedies/TheTragedyOfHamlet

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!!KING LEAR

Let us entitle the metatheatrical event at (2430,2525)

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!!!GLOSTERS LEAPE

!!!http://zboing.ca/shakespeare/svg/Tragedies/KingLear

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!!OTHELLO

Perfect.

!!!http://zboing.ca/shakespeare/svg/Tragedies/OthelloTheMooreOfVenice

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!!ANTHONY & CLEOPATRA

Perfect

!!!http://zboing.ca/shakespeare/svg/Tragedies/AnthonyAndCleopater

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!!CYMBELINE

The play-within-the-play cum vision at (3065,3159) is entitled:

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!!!POSTHUMUS DREAME

!!!http://zboing.ca/shakespeare/svg/Tragedies/CymbelineKingOfBritaine

!!!FINAL CORRECTIONS:

!!!MASQUED REVELL

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//

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!!!REVELL AT CAPULETS

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!!THE COMEDIES

!TEMPEST:

!!!!!!MASQUEOF JUNO

!!!!TWO GENTLEMEN OF VERONA:

!!!!MERRY WIVES OF WINDSOR

!!!!!HERNE THE HUNTER.

!!!!MEASURE FOR MEASURE

!!!!COMEDY OF ERRORS

!!!!MUCH ADO ABOUT NOTHING

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!!!!!MASQUED REVELL

!!!!LOVE'S LABOURS LOST

!!!!!MASQUE OF THE RUSSIANS.

!!!!!THE PAGEANT OF NINE WORTHIES

!!!!MIDSOMMER NIGHTS DREAME

!!!!!PYRAMUS & THISBY

!!!!MERCHANT OF VENICE

!!!!AS YOU LIKE IT

!!!!!«AM I NOT YOUR ROSALIND?»

!!!!TAMING OF THE SHREW

!!!!ALL'S WELL THAT ENDS WELL

Sorry about this but…

•GULLING OF PAROLLES #1 (1900,2016)

•GULLING OF PAROLLES #2 (2224,2420)

Also could we add the Characters of

!!!!TWELFE NIGHT

!!!!WINTER'S TALE

!!!!!THE QUEENES PICTURE

!! THE HISTORIES

!!!!KING JOHN

!!!!RICHARD II

!!!!1 HENRY IV

!!!!!IN KING CAMBYSES VEIN

!!!!!!INCOGNITO

!!!!HENRY V

!!!!1HENRY VI

!!!!2 HENRY VI

!!!!3 HENRY VI

!!!!RICHARD III

!!!!!PLAY THE MAIDS PART

!!!!HENRY VIII

!!!!!SHEPHERDS MASQUE

!!!!!KATHERINES VISION

!!THE TRAGEDIES

!!!!TROILUS & CRESSIDA

!!!!CORIOLANUS

!!!!TITUS ANDRONICUS

!!!!ROMEO & JULIET

!!!!!REVELL AT CAPULETS

!!!!TIMON OF ATHENS

!!!!!MASQUE OF CUPID & THE AMAZONS

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!!!!JULIUS CAESAR

!!!!MACBETH

!!!!!SHOW OF EIGHT KINGS

!!!!HAMLET

!!!!!RUGGED PYRRHUS

!!!!!THE MURDER OF GONZAGO

!!!!KING LEAR

!!!!!GLOSTERS LEAPE

!!!!OTHELLO

!!!!ANTHONY & CLEOPATRA

!!!!CYMBELINE

!!!!!POSTHUMUS DREAME

!! THE COMEDIES

!!!!TEMPEST:

SHOW OF EIGHT KINGS

!!!!!MASQUEOF JUNO

Play-within-the-play (1707,1806) is entitled: MASQUEOF JUNO

Play-within-the-play (2518,2588) is entitled: HERNE THE HUNTER.

The MASQUE (489,780) is simply a MASQUED REVELL (wherein presumably all are "masked")

The MASQUE (2051,2182) is usually referred to as MASQUE OF THE RUSSIANS.

We should ADD that in the course of this Masque, the LADIES are also DIGUISED:

As for the Play-within-the-play (2490,2683) it is entitled:

THE PAGEANT OF NINE WORTHIES

PYRAMUS & THISBY

AM I NOT YOUR ROSALIND?

Just for the sake of better differentiating the INDUCTION's characters from those of the "play" SHREW itself: could the horizontal character rule for SLY, LORD, 3 SERVS, & PAGE be thinner (as you had done for the very first version of 1HEN IV, wherein certain characters "accompanied" others)

I must admit to still being torn about the two GULLINGS OF PAROLLES (1900,2016) & (2224,2420) respectively, since both instances ARE occurences of "play-acting" (the second one even occurs before an "audience" composed of BERTRAM and the two LORDS/ CAPTAIN).

THE QUEENES PICTURE

IN KING CAMBYSES VEIN

INCOGNITO

PLAY THE MAIDS PART

SHEPHERDS MASQUE

KATHERINES VISION

Perfect

!!!http://zboing.ca/shakespeare/svg/Tragedies/RomeoAndJuliet

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!!!!TIMON OF ATHENS

F Act 1: line 1

(Rowe) Act 2: line 615

(Rowe) Act 3: line 916

(Rowe) Act 4: line 1503

(Capell) Act 5: line 2192

!!!http://zboing.ca/shakespeare/svg/Tragedies/TimonOfAthens

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!!!!JULIUS CAESAR

F Act 1: line 1

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F Act 2: line 614

F Act 3: line 1199

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F Act 4: line 1852

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F Act 5: line 2327

F Act 1: line 1

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F Act 2: line 568

F Act 3: line 980

F Act 4: line 1526

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F Act 5: line 2092

F Act 1: line 1

F Act 2: line 889

(Players' Q, 1676) Act 3: line 1646

(Players' Q, 1676) Act 4: line 2586

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(Players' Q, 1676) Act 5: line 3189

F Act 1: line 1

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F Act 2: line 926

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F Act 3: line 1614

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F Act 4: line 2177

F Act 5: line 2844

!!!!!CORRECTION: Mea culpa! BIANCA's actual ENTRANCES & EXITS are as follows (2326,2368) (2531,2546) (3174,3237)

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F Act 1: line 1

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F Act 2: line 751

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F Act 3: line 1517

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F Act 4: line 2369

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F Act 5: line 3080

F Act 1: line 1

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(Rowe) Act 2: line 614

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(Rowe) Act 3: line 1494

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(Rowe) Act 4: line 2389

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(Pope) Act 5: line 3107

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F Act 1: line 1

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F Act 2: line 838

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F Act 3: line 1373

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F Act 4: line 2217

F Act 5: line 2856

The point of this exercise is to get the disguised men to declare their undying absolute love to the WRONG girl.

As for the Play-within-the-play (2490,2683) it is entitled: THE PAGEANT OF NINE WORTHIES

Play-within-the-play (1905,2131) is entitled: PYRAMUS & THISBY

The Play-within-the-play (1945,2107) we will entitle: MY FAIRE ROSALIND

FESTE is lacking TWO ENTRIES (2153,2199) (2352,2579) !!

Well, the IS the ridiculously small DANCE OF TWELVE SATYRS (at 2164).

!!!!!Though I DO understand the dilemna regarding F's problematic ACTS 2 & 3, these stem almost certainly from compositorial mistakes (due to the two compositor system employed here: one compositor working forward and the other backward through the play; in this case their joint left something to be desired).

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!!!!!In this case, then, I would pass over the bad compositing, and stick simply to Dyce's ACT 2. After all, F DOES provide the appropriate breaks (even if they are mis-numbered)

Perfect

!!!!!My mistake. There IS indeed an EPILOGUE to this play @ TLN 3324.

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Perfect.

!!!!!A CORRECTION: ACT 1 is in F (otherwise, graph is perfect)

F Act 1: line 1

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(Pope) Act 2: line 583

(Pope) Act 3: line 1144

(Pope) Act 4: line 1578

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(Pope) Act 5: line 2724

!!!http://zboing.ca/shakespeare/svg/Histories/TheSecondPartOfKingHenryTheSixt

!!!!3 HENRY VI

!!!!!A CORRECTION: Once again, ACT 1 is in F (otherwise, graph is perfect)

F Act 1: line 1

(Rowe) Act 2: line 651

(Rowe) Act 3: line 1396

(Rowe) Act 4: line 2016

(Pope) Act 5: line 2672

!!!http://zboing.ca/shakespeare/svg/Histories/TheThirdPartOfKingHenryTheSixt

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!!!!RICHARD III

!!!!!CORRECTION: RIVERS & GREY die following their exit @ 1962.

!!!http://zboing.ca/shakespeare/svg/Histories/TheLifeAndDeathOfRichardTheThird

!!!!HENRY VIII

!!!!!Since their IS a line for the PROLOGUE (@ line 1), shouldn't their be another for the EPILOGUE (@ line 3549)?

F Act 1: line 34

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F Act 2: line 819

F Act 3: line 1614

F Act 4: line 2376

F Act 5: line 2768

F Epilogue: line 3549

Perfect

Perfect

!!!New things:

Edits done... on to printing, now! — sv

Perfect

Perfect.

Perfect

Perfect

Perfect

Perfect

Perfect.

Perfect

Ok... basics covered ... all the stuff except perhaps the Acts are now updated —sv

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WOW. —sz

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F Act 1: line 1

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(Rowe) Act 2: line 732

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(Rowe) Act 3: line 1431

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(Rowe) Act 4: line 2293

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(Rowe) Act 5: line 2721

F Act 1: line 1

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F Act 2: line 640

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F Act 3: line 1309

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F Act 4: line 1920

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F Act 5: line 2259

F Act 1: line 1

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F Act 2: line 633

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F Act 3: line 1519

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F Act 4: line 2218

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F Act 5: line 2631

F Act 1: line 1

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F Act 2: line 672

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F Act 3: line 1234

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F Act 4: line 1650

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F Act 5: line 1945

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F Epilogue: line 2320

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F Act 1: line 1

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F Act 2: line 395

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F Act 3: line 1067

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F Act 4: line 1543

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F Act 5: line 2024

F Act 1: line 1

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F Act 2: line 551

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F Act 3: line 1157

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F Act 4: line 1821

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F Act 5: line 2400

F Act 1: line 1

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F Act 2: line 449

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F Act 3: line 1202

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F Act 4: line 1768

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F Act 5: line 2345

F Act 1: line 1

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F Act 2: line 272

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F Act 3: line 616

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F Act 4: line 980

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F Act 5: line 1462

F Act 1: line 1

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F Act 2: line 414

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F Act 3: line 1086

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F Act 4: line 1656

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F Act 5: line 2077

F Act 1: line 1

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F Act 2: line 489

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F Act 3: line 769

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F Act 4: line 972

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F Act 5: line 1738

F Act 1: line 1

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F Act 2: line 372

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F Act 3: line 812

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F Act 4: line 1508

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F Act 5: line 1791

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F Act 1: line 1

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F Act 2: line 513

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F Act 3: line 1217

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F Act 4: line 1901

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F Act 5: line 2402

F Act 1: line 1

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F Act 2: line 604

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F Act 3: line 1179

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F Act 4: line 1915

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F Act 5: line 2339

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F Epilogue: Line 2774

F Act 1: line 1

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(Steevens) ACT 2: line 855

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F Act 3: line 1294

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F Act 4: line 1977

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F Act 5: line 2533

!!!!! A CORRECTION: Please remove The two GULLING OF PAROLLES framed events: (1900,2016) & (2224,2420).

F Act 1: line 1

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F Act 2: line 593

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F Act 3: line 1371

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F Act 4: line 1910

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F Act 5: line 2592

F Act 1: line 1

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F Act 2: line 610

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F Act 3: line 1212

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F Act 4: line 1917

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F Act 5: line 2152

F Act 1: line 1

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F Act 2: line 583

F Act 3: line 1144

F Act 4: line 1578

F Act 5: line 2724


!!!http://zboing.ca/shakespeare/svg/Comedies/TheWintersTale

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!! THE HISTORIES

!!!!KING JOHN

F Act 1: line 1

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F Act 2: line 614

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F Act 3: line 1420

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F Act 4: line 1860

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F Act 5: line 2785

F Prologue: line 1

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F Act 1: line 36

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(Johnson) Act 2: line 462

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F Act 3: line 1044

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F Act 4: line 1788

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F Act 5: line 2849

F Act 1: line 1

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F Act 2: line 674

F Act 3: line 1201

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F Act 4: line 1743