(1796,2552) (2878,3008) (3184,3369)

PLOTS

DISGUISES:

POLIXENES as a Gentleman (1857,2260), Conscious

CAMILLO as a Gentleman (1857,2260), Conscious

FLORIZEL as Doricles (1796,2262), Conscious

HERMIONE as a Statue (3208,3312), Conscious

PERDITA is disguised (1796,2552) (2878,3008), Un-conscious

PLAY-IN-PLAY:

•(2164)

Type: Maske (red)

Title: A Dance of Twelve Satyres

•(3208,3312)

Type: Gulling (green)

Title: The Queenes Picture

(49,294) (584,660) RIP @ 1329

(49,264) (584,733) (1185,1338) (3208,3369) [RIP @ 1388] DISGUISED as a Statue (3208,3312)

THE WINTER’S TALE (ca. 1609–11)

The First Folio is the sole authority for this play. The print house copy appears to have been Ralph Crane’s transcript either of Shakespeare’s fair copy or a promptbook.

THE WINTER’S TALE also contains Shakespeare’s best (or, perhaps, most infamous) stage direction:

“Exit pursued by a bear” (3.3.58 / TLN 1500)

The play is about as true a romantic tragicomedy (or “mixed-bag”) as you can get. It starts up as a COMEDY. Then rather suddenly — “If this be nothing” (1.2.295 / TLN 389) — turns into a TRAGEDY. Upon our arrival in Bohemia (at 3.3) and the entrance of the Shepherd (3.3.59 / TLN 1501), it will turn again into a PASTORAL. But, as in all of Shakespeare’s romances, in the end the protagonists are reconciled and something lost is miraculously recovered.

X AXIS (abscisses): 3369 lines

Subdivisions of ACTS & SCENES are according to the FOLIO.

1.1: line 1

1.2: line 48

2.1: line 583

2.2: line 819

2.3: line 897

3.1: line 1144

3.2: line 1173

3.3: line 1136

4.1: line 1578

4.2: line 1612

4.3: line 1667

4.4: line 1795

5.1: line 2724

5.2: line 3009

5.3: line 3183

_______________

Y AXIS: ENTRANCES & EXITS

Entrances & exits of Characters

According to their order of appearance.

• (2,47) reads “enters at line 2, exits at line 47″.

• DISGUISED as Doricles (1796,2262)

is inserted at the end of a character’s list (in this case Florizel’s) to indicate the “duration” of said disguise.

• PRINCIPAL CHARACTERS are capitalized.

CAMILLO (Lord of Leontes’ Court)

(2,47) (49,582) (1613,1666) (1857,2552) (3184,3369) DISGUISED (1857,2324)

Archidamus (a Bohemian Lord)

(2,47)

LEONTES (King of Sicily)

(49,453) (628,818) (989,1143) (1174,1435) (2725,3008) (3184,3369)

HERMIONE (his Queen)

(49,264) (584,733) (1185,1338) (3208,3369) DISGUISED as a Statue (3208,3312)

Mamillius (his son)

(49,294) (584,660) RIP

POLIXENES (King of Bohemia)

(49,264) (467,582) (1613,1666) (1857,2285) (3184,3369) DISGUISED (1857,2260)

ANTIGONUS (Lord of Leontes’ Court)

(628,818) (928,1124) (1437,1500) RIP

PAULINA (wife of Antigonus)

(820,896) (928,1058) (1185,1338) (1357,1435) (2725,3008) (3184,3369)

Jailer

(824,842) (844,896)

Emilia (attendant of Hermione)

(844,896)

Cleomines (Lord of Leontes’ Court)

(1145,1172) (1303,1435) (2725,2868) (2878,3008)

Dion (Lord of Leontes’ Court)

(1145,1172) (1303,1435) (2725,3008)

Mariners

(1437,1456)

SHEPHERD

(1501,1577) (1857,2309) (2566,2711) (3131,3182)

CLOWN (Shepherd’s son)

(1520,1577) (1700,1785) (1857,2144) (2566,2711) (3131,3182)

Time

(1579,1611)

AUTOLICUS (a rogue singer)

(1668,1794) (2043,2144) (2471,2723) (3010,3182)

FLORIZEL (Son of King Polixenes)

(1796,2552) (2878,3008) (3184,3369) DISGUISED as Doricles (1796,2262)

PERDITA (long lost daughter of Leontes)

As baby: (928,1124) (1437,1577)

As young woman: (1796,2552) (2878,3008) (3184,3369)

Mopsa & Dorcas (shepherdesses)

(1857,2144)

Servant announcing the “dance of twelve satyrs”

(2145,2163)

Twelve Satyrs (stage direction: “Here a dance of twelve satyrs”)

(2164)

Sicilian Gent#1 (3010,3120)

Sic. Gent#2 (3029,3120)

Sic. Gent#3 (3052,3120) ___________

PLOTS & COLOURING

The play takes place in two distinct locations:

• SICILY (1,1435) & again (2724,3369)

• BOHEMIA (1436,2723)

The SICILIAN characters are:

LEONTES

CAMILLO

HERMIONE

MAMILLIUS

ANTIGONUS

PAULINA

EMILIA

CLEOMINES & DION

PERDITA

And the BOHEMIAN characters:

POLIXENES

ARCHIDAMUS

SHEPHERD

CLOWN

AUTOLICUS

FLORIZEL

MOPSA & DORCAS

THE TWELVE SATYRS

___________

METATHEATRE

• Four characters are disguised:

POLIXENES: DISGUISED as a Gentleman (1857,2260)

CAMILLO: DISGUISED as a Gentleman (1857,2260)

FLORIZEL: DISGUISED as Doricles (1796,2262)

HERMIONE: DISGUISED as a Statue (3208,3312)

• The masque/dance of TWELVE SATYRS is an instance of play-within-the-play, even if it is a rather brief one (at least “textually”): (2164)

• Furthermore, that HERMIONE makes her final appearance as a painted STATUE standing behind a “curtain” upon a “stage” (since the first must be “drawn” and she must “descend” from the second) is a moment of meta-“something-or-other” that certainly deserves FRAMING: (3208,3312).