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Historique de Main.TimonOfAthens

Montrer les modifications mineures - Affichage de la sortie

02 avril 2007 à 19h16 par 69.157.177.184 -
Lignes 300-301 modifiées:
!!PLOTS & COLOURING
en:
!!PLOTS
Lignes 346-354 modifiées:
Three elements are worth noting:

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The masque of CUPID & THE AMAZONS: (465,506)

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And, perhaps, the two PAINTER/POET scenes: (30,116) (2192,2330)
en:

!!!!PLAY-IN-PLAY:

•(465,506)

Type: Maske

Title: Maske of Cupid & the Amazons
29 mars 2007 à 19h12 par 69.157.189.135 -
Lignes 350-351 modifiées:
The masque of CUPID & THE AMAZONS: (465,513)
en:
The masque of CUPID & THE AMAZONS: (465,506)
Ligne 354 modifiée:
The two PAINTER/POET scenes: (30,116) (2192,2330).
en:
And, perhaps, the two PAINTER/POET scenes: (30,116) (2192,2330)
23 décembre 2004 à 07h41 par 69.157.179.175 -
Ligne 57 modifiée:
Their present arrangement was first established by Dyce (1857).
en:
Dision of ACTS 2 to 4 by Rowe (1709), ACT 5 by Capell (1768) The standard arrangement of ACTS and SCENES — as a whole — was established by Dyce (1857).
20 décembre 2004 à 07h55 par 65.92.18.94 -
Ligne 220 modifiée:
Caphis (servant to previous)
en:
CREDITORS
Ligne 226 modifiée:
Varro & Isidore (2 Creditors)
en:
Caphis (servant to previous)
Lignes 228-234 modifiées:
(666,792)
en:
(615,655) (666,792)

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Varro & Isidore (2 Creditors)

(666,792)
20 décembre 2004 à 07h44 par 65.92.18.94 -
Lignes 1-2 modifiées:
!THE LIFE OF TYMON OF ATHENS (Oxford 1605-06;
Riverside 1607-08)
en:
!THE LIFE OF TYMON OF ATHENS (Oxford 1605-06; Riverside 1607-08)
09 novembre 2004 à 18h31 par 65.92.33.65 -
Ligne 130 modifiée:
Poet & Painter
en:
POET & PAINTER
Ligne 136 modifiée:
Senators of Athens
en:
SENATORS of Athens
25 juillet 2004 à 14h23 par 65.92.25.201 -
Lignes 1-351 modifiées:
Describe TimonOfAthens here.
en:
!THE LIFE OF TYMON OF ATHENS (Oxford 1605-06;
Riverside 1607-08)

!!!By William Shakespeare (& Thomas Middleton)


Folio is sole authority for this play. Print-house copy was the authors’ manuscript.

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TIMON is an anomaly.

It probably wasn’t even meant to be included in the FOLIO but something happened in the course of printing with TROILUS & CRESSIDA. According to learned speculation, the Folio syndicate may have lost the rights to the play. Apparently, TIMON was included as a stopgap in place of T & C (which was supposed to come after ROMEO & JULIET). But TIMON being a much SHORTER play than T & C greatly offset the pagination.

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At the very end of ROMEO & JULIET, for instance, the pagination skips from 76 to 79. If you look at T & C (which doesn’t even appear on the “list of plays” at the beginning of the FOLIO but nonetheless heads the TRAGEDY section), there is a weird PROLOGUE, then the TITLE of the play, and then … pages 79 & 80 (the rest of T & C is un-paginated). This indicates that printing HAD started on T & C when the bad news came and when the rights for the play were finally secured the printers salvaged what they could from the initial print run (i.e. pages 79 & 80). Scholars looking at the wearing of the fonts even figured-out that (apart from these pages) T & C was the very last of the Folio’s plays to be printed. The printers then looking for a place to fit it in just slipped T & C at the head of the TRAGEDIES. According to the “List of Plays”, CORIOLANUS was supposed to head this section and it, indeed, begins at page 1.

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In all likelihood, TIMON of ATHENS is an unfinished play (or, at the very least, the copy upon which the FOLIO text is based was a very rough draft). Furthermore, it is now generally believed that (like 1HENRY VI) the authorship of TIMON was probably shared. In this case, with THOMAS MIDDLETON (1570-1627) who may have written approximately a third of the play.

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According to both the RIVERSIDE and OXFORD editors Middleton probably wrote the following sections:

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• 1.1 TLN 324-336;

& all of 1.2

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• 2.2 TLN 656-712

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• All of 3.1; 3.2; 3.3; 3.4; 3.5;

and 3.6 TLN 1383-1418 & 1485-1502

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• All of 4.2 (excepting TLN 1600-01);

and 4.3 TLN 2108-2191

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_________


!!X AXIS (abscisses): 2608 lines

There are NO Subdivisions of ACTS & SCENES in the FOLIO.

Their present arrangement was first established by Dyce (1857).

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1.1: line 1 (reads "Act 1 scene 1 begins at line 1")

1.2: line 337

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2.1: line 615

2.2: line 656

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3.1: line 916

3.2: line 980

3.3: line 1071

3.4: line 1117

3.5: line 1255

3.6: line 1383

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4.1: line 1503

4.2: line 1545

4.3: line 1602

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5.1: line 2192

5.2: line 2476

5.3: line 2496

5.4: line 2507

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FINIS 2608

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_______________


!!Y AXIS: ENTRANCES & EXITS

Entrances & exits of Characters

According to their order of appearance.

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• (2,305) reads "enters at line 2, exits at line 305".

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• PRINCIPAL CHARACTERS are capitalized.

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Poet & Painter

(2,305) (2192,2340)

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Senators of Athens

(54,305) (338,594) (1255,1367) (1486,1502) (2341,2475) (2476,2495) (2512,2607)

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Lucullus (friend of Timon)

(54,305) (338,594) (921,966) (1383,1502)

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Lucius (friend of Timon)

(54,305) (338,594) (980,1043) (1383,1502)

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Sempronius (friend of Timon)

(54,305) (338,594) (1071,1101) (1383,1502)


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TIMON

(118,305) (337,610) (674,712) (787,915) (1210,1234) (1238,1254) (1408,1485) (1503,1544) (1602,2191) (2233,2340) (2360,2469) RIP

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Messenger from Ventigius

(118,136) (2476,2495)

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APEMANTUS (a cynic)

(215,323) (339,614) (713,790) (1817,2043)

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Messenger from Alcibiades

(286,305) (2476,2495)

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ALCIBIADES

(294,305) (338,594) (675,675) (1255,1382) (1652,1795) (2507,2607)

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Two Lords

(306,336) (338,594)

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Ventigius (friend of Timon)

(338,594)

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Cupid & Maskers (entertainers)

(465,506)

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FLAVIUS (Timon’s steward)

(507,515) (530,563) (656,712) (787,915) (1169,1188) (1238,1254) (1545,1601) (2108,2191) (2341,2745)

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Senator (creditor)

(615,655)

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Caphis (servant to previous)

(615,655) (666,792)

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Varro & Isidore (2 Creditors)

(666,792)

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Foole (clown)

(713,790)

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Illiterate Page

(738,755)

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Flaminius (servant of Timon)

(864,915) (916,979) (1162,1168) (1545,1579)

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Servilius (servant of Timon)

(864,915) (1004,1040) (1195,1209) (1545,1579)

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3rd servant of Timon

(864,915) (1071,1168) (1563,1579)

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Three Strangers to Athens

(980,1070)

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Titus, Hortensius, Philotus, two servants of Varro & Lucius (6 other creditors)

(1117,1237)

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Phrynia & Timandra (whores of Alcibiades)

(1652,1795)

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Banditti

(2044,2107)

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Illiterate Soldier

(2496,2506) (2585,2607)

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___________

!!PLOTS & COLOURING

The principal Plot concerns TIMON’s “abrupt” passage (3.4.79 / TLN 1210) from arch-philanthropist to dire misanthropist, which neatly cuts the play in two. Accordingly, Acts 1 to 3 take place in ATHENS, while Acts 4 & 5 mostly occur in the dismal WOODS. The “hinge” scene is 3.6.

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There is a Sub-plot (or “back story”) to the play, which concerns the character of ALCIBIADES but it remains largely undeveloped.

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Colouring TIMON & ALCIBIADES would suffice in bringing-out the structural inadequacies and the missing counterpoint of the play.

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!!!SHADING

Perhaps the MIDDLETON sections of TIMON OF ATHENS should somehow be indicated (either through framing or shading) on the graph itself. As indicated above, Middleton probably wrote the following:

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• 1.1 TLN 324-336;

& all of 1.2

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• 2.2 TLN 656-712

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• All of 3.1; 3.2; 3.3; 3.4; 3.5;

and 3.6 TLN 1383-1418 & 1485-1502

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• All of 4.2 (excepting TLN 1600-01);

and 4.3 TLN 2108-2191

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_______

!!METATHEATRE

Three elements are worth noting:

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The masque of CUPID & THE AMAZONS: (465,513)

\\

The two PAINTER/POET scenes: (30,116) (2192,2330).

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