!!!!PLAYS-IN-PLAY:

!!!!DISGUISES

Le Beau (a courtier of Duke F.)

(257,393) (426,457)

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Sir Oliver Martext (a vicar)

(1672,1707)

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William (an ex-wooer of Audrey)

(2350,2401)

!!PLOTS

Hence, 17 out of 22 scenes take place in a PASTORAL setting (complete with “shepherds”)

The play ends in a quadruple marriage, hence the four pairs of lovers perhaps need be matched accordingly:

•(1945,2107)

Type: Scene extempore (blue)

Title: Your Rosalind



•(2681,2775)

Type: Maske (red)

Title: Maske of Hymen


!!!!DISGUISES are conscious and remain AS IS (by default)

ROSALIND as Ganimede: (781,2681), Conscious

CELIA as Aliena (781,2681), Conscious

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ADAM (a servant of Orlando)

Song #1 — “Under the Green Wood tree” — 2.5 (TLN 890,942)\\

FOLIO is the sole authority for the pastoral AS YOU LIKE IT which is one of the most musical of Shakespeare’s plays. It has five songs.

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PLAY WITHIN THE PLAY (or SCENE WITHIN THE SCENE)

There is also a rather strange bit of "play-acting" in 4.1 where ROSALIND disguised as Ganimede "acts" the part of ROSALIND for the benefit of ORLANDO. Hence, as not a few commentators have noted, a boy actor plays a girl (Rosalind) who plays a boy (Ganimede) who plays a girl (Rosalind). This event certainly warants some form of framing: (1945,2107)

• the COURT of Duke Frederick for the whole of ACT 1

!!METATHEATRE

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Song #2 — “Blow, Blow, Thou Winter Winde” — 2.7 (TLN 1156,1168)\\

Song #3 — “What Shall He Have That Kil’d the Deare” — 4.2 (TLN 2136,2145)\\

Song #4 — “It Was a Lover and His Lass” — 5.3 (TLN 2546,2564)\\

!AS YOU LIKE IT (ca.1599-1600)


FOLIO is the sole authority for AS YOU LIKE IT which is one of the most musical of Shakespeare’s plays. It has five songs.

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Song #1 — “Under the Green Wood tree” — 2.5 (TLN 890,942)

Song #2 — “Blow, Blow, Thou Winter Winde” — 2.7 (TLN 1156,1168)

Song #3 — “What Shall He Have That Kil’d the Deare” — 4.2 (TLN 2136,2145)

Song #4 — “It Was a Lover and His Lass” — 5.3 (TLN 2546,2564)

Song #5 — “Wedding is Great Juno’s Crown” — 5.4 (TLN 2715,2721)

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A setting of “It Was a Lover and His Lass” was published in Thomas Morley’s FIRST BOOK OF AIRS (1600); “What Shall He Have That Kil’d the Deare” appeared as a round for four voices in John Hilton’s CATCH THAT CATCH CAN (1652).

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!!X AXIS (abscisses): 2797 lines

The traditional subdivision of ACTS & SCENES is that of the FOLIO.

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ACTS & SCENES along X axis:

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1.1: line 1 (reads "Act 1 scene 1 begins at line 1")

1.2: line 169

1.3: line 458

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2.1: line 604

2.2: line 679

2.3: line 702

2.4: line 781

2.5: line 888

2.6: line 949

2.7: line 971

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3.1: line 1179

3.2: line 1199

3.3: line 1613

3.4: line 1708

3.5: line 1769

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4.1: line 1915

4.2: line 2125

4.3: line 2146

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5.1: line 2339

5.2: line 2407

5.3: line 2530

5.4: line 2572

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Epilogue: Line 2774

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FINIS @ line 2797

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!!Y AXIS: ENTRANCES & EXITS

Entrances & exits of Characters

According to their order of appearance.

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• (2,84) reads "enters at line 2, exits at line 80".

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• DISGUISED as a Ganimede (782,2601)

is inserted at the end of a character’s list (in this case Rosalind’s) to indicate the “duration” of their being disguised.

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• PRINCIPAL CHARACTERS are capitalized.

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ORLANDO (3rd son of Sir Rowland)

(2,84) (311,457) (703,780) (950,970) (1062,1113) (1146,1178) (1200,1210) (1445,1612) (1940,2106) (2408,2529) (2573,2775)

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Adam (a servant of Orlando)

(2,84) (703,780) (950,970) (1146,1178)

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OLIVER (1st son of Sir Rowland)

(28,168) (1180,1198) (2224,2338) (2408,2428) (2574,2775)

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Charles (the Duke’s wrestler)

(96,168) (311,382)

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ROSALIND (Daughter of the banished Duke)

(170,423) (459,603) (782,887) (1285,1612) (1709,1768) (1778,1852) (1916,2124) (2147,2338) (2421,2529) (2579,2601) (2681,2796) / DISGUISED as Ganimede (782,2601)

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CELIA (Daughter of Duke Frederick)

(170,423) (459,603) (782,887) (1321,1612) (1709,1768) (1778,1852) (1916,2124) (2147,2338) (2574,2601) (2681,2775) / DISGUISED as Aliena (782,2601)

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TOUCHSTONE (a clown)

(212,423) (783,887) (1211,1360) (1614,1707) (2340,2406) (2531,2571) (2610,2775)

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DUKE FREDERICK (usurper)

(311,393) (494,551) (680,701) (1180,1198)

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DUKE SENIOR (banished Duke)

(605,678) (972,1178) (2573,2775)

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Amiens (a musician of Duke Senior)

(605,678) (889,948) (2573,2775)

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Corin (a shepherd)

(801,887) (1211,1360) (1453,1768) (1778,1852) (2402,2406)

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Silvius (a shepherd)

(801,825) (1770,1914) (2151,2223) (2482,2529) (2579,2775)

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JACQUES (an attendant of Duke Senior)

(889,948) (980,1178) (1445,1486) (1614,1707) (1916,1953) (2126,2145) (2573,2773)

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AUDREY (a country wench)

(1614,1707) (2340,2406) (2531,2571) (2610,2775)

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PHEBE (a shepherdess)

(1770,1914) (2482,2529) (2579,2775)

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Hymen (the god of marriage)

(2681,2775)

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Le Beau (a courtier of Duke F.)

(257,393) (426,457)

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Sir Oliver Martext (a vicar)

(1672,1707)

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William (an ex-wooer of Audrey)

(2350,2401)

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Jaques (2nd Son of Sir Rowland)

(2726,2775)

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!!PLOTS & COLOURING

The play can be more or less broken up according to its two principal “locations”:

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• the COURT of Duke Frederick for the entirety of ACT 1
as well as for scenes 2.2 & 3.1;

&

• the FOREST of Arden (i.e. Ardennes) for the remainder of the play.

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Hence, 17 out of 22 scenes take place in a PASTORAL setting (complete with “shepherds”)

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The play ends in a quadruple marriage, hence the four pairs of lovers perhaps need be matched accordingly:

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ORLANDO / ROSALIND

CELIA / OLIVER

TOUCHSTONE / AUDREY

SILVIUS / PHEBE


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METATHEATRE


As mentioned above in the ENTRANCES & EXITS, two characters are “disguised”

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ROSALIND: DISGUISED as a Ganimede: (781,2681)

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CELIA: DISGUISED as Aliena: (781,2681)